Lot Number : 6145

  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.
  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.
  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.
  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.
  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.
  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.
  • Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.

Description: Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic’s and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.
Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.

Dimensions:
Height: 216cm  Length/Width: 50cm  Depth/Diameter: 23cm

Condition Grade: 
1 - Excellent: A lot in excellent condition with no damage (this item could be used or new).
2 - Good: A lot in good condition, possibly with slight wear commensurate with age or minor restoration.
3 - Fair/Good: A lot in fairly good condition but possibly with some wear, damage or restoration.
4 - Fair: A lot likely in need of some restoration or not in working order.
5 - Poor: A lot with heavy wear or damage and not fit for purpose, in need of full restoration or to be broken for parts.
0 - N/A:
2 - Good: A lot in good condition, possibly with slight wear commensurate with age or minor restoration.

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SOLD £400


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Collection
Collect from The Saleroom, York Auction Centre, Murton, York. YO19 5GF.

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