Lot Number : 7025

  • An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with  calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.
  • An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with  calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.
  • An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with  calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.
  • An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with  calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.
  • An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with  calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.
  • An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with  calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.

Description: An early 19th century longcase clock by George Bartle of Brig (Lincs) c 1830, Mahogany case with a pagoda pediment in the typical east Yorkshire/Lincolnshire style, with two brass ball and spire finials, break arch hood door flanked by reeded columns with Corinthian capitals, canted corners to the trunk, long trunk door with inlay and a triple spire top, conforming rectangular plinth with missing feet, fully painted break arch dial with Roman numerals, minute track and brass hands (damaged), seconds dial and semi-circular date aperture with calendar disc behind, spandrels painted with matching depictions of flowers, arch painted with a contrasting rural hunting scene, dial pinned via a Walker & Hugues cast false plate to an eight day weight driven rack striking movement, striking the hours on a bell. With weights and pendulum.

Dimensions:
Height: 210cm  Length/Width: 46cm  Depth/Diameter: 21cm

Condition Grade: 
1 - Excellent: A lot in excellent condition with no damage (this item could be used or new).
2 - Good: A lot in good condition, possibly with slight wear commensurate with age or minor restoration.
3 - Fair/Good: A lot in fairly good condition but possibly with some wear, damage or restoration.
4 - Fair: A lot likely in need of some restoration or not in working order.
5 - Poor: A lot with heavy wear or damage and not fit for purpose, in need of full restoration or to be broken for parts.
0 - N/A:
3 - Fair/Good: A lot in fairly good condition but possibly with some wear, damage or restoration.

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SOLD £440


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Collection
Collect from The Saleroom, York Auction Centre, Murton, York. YO19 5GF.

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